{"id":483,"date":"2018-06-06T20:43:50","date_gmt":"2018-06-06T18:43:50","guid":{"rendered":"http:\/\/drvenneforeningen.dk.linux182.unoeuro-server.com\/2018\/06\/06\/laer-musikerne-og-sangerne-bedre-kende-13\/"},"modified":"2024-11-23T00:22:00","modified_gmt":"2024-11-22T23:22:00","slug":"laer-musikerne-og-sangerne-bedre-kende-13","status":"publish","type":"post","link":"https:\/\/drvenneforeningen.dk\/en\/laer-musikerne-og-sangerne-bedre-kende-13\/","title":{"rendered":"Get to know the musicians and singers better"},"content":{"rendered":"
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My name is Michael Dabelsteen, born in 1955.<\/p>\n

I'm a double bassist in the Danish National Symphony Orchestra.<\/p>\n

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I started my life as a professional musician in 1980. After playing guitar in a rock band for a few years in high school, I became so fascinated by the double bass that I switched instruments and started studying privately and then at the Royal Danish Academy of Music. Royal Danish Academy of Music and later for periods abroad.<\/p>\n

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While studying, I worked as a freelance musician in the Danish symphony orchestras and was busy as a studio musician and touring with musical projects in various genres - including a couple of years of collaboration in the early eighties with actors Karen Lise Mynster and Henrik Koefoed on Bertolt Brecht songs, shows, etc.<\/p>\n

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In 1988 I joined the Danish Radio Symphony Orchestra - now the Danish National Symphony Orchestra - which is still my primary workplace. Alongside my work in the symphony orchestra, I have been very active as a chamber musician, and have taught at the music conservatories in Copenhagen and Malm\u00f6, among others.<\/p>\n

I was for many years a member of the Collegium Musicum orchestra and the Trinitatis Chamber Orchestra, and have participated in several CD recordings, especially of the classical chamber music repertoire.<\/p>\n

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For the past 17 years, I have also been the director of the annual North Zealand cultural event Frederiksv\u00e6rk Music Festival - a project that could be called \u201dan extensive hobby\u201d.<\/p>\n

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I particularly enjoy playing Romantic and late Romantic music with my orchestra. One of the most difficult tasks I remember was when the orchestra was \u201dOrchestra in Residence\u201d in Athens many years ago, where we performed Richard Strauss\u201d opera \u201dDie Frau ohne Schatten\" with Michael Sch\u00f6nwandt conducting. A marvellous and very complicated work.......<\/p>\n

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In addition to all the classical music I get to experience in the concert hall, I listen a lot to the excellent programme P8 Jazz.<\/p>\n

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Tobias Nilsson, my name is Tobias Nilsson, born 21 November 1975 in Gothenburg, Sweden<\/p>\n

Countertenor, i.e. alto 2 in the Vocal Ensemble<\/p>\n

I started playing the piano when I was seven years old, and eight years later I started singing lessons. Growing up in church and playing the piano, it was only natural to train as an organist! After that, I was a freelance singer and organist for many years.<\/p>\n

In 2013 I joined the Vocal Ensemble<\/p>\n

I also sing with G\u00f6teborg Baroque and have joined both Ars Nova and Musica Ficta. As well as several other ensembles! I'm also a frequent soloist in oratorios and cantatas.<\/p>\n

I have a preference for French Baroque music, but if I had to pick just one composer, it would be Johann Sebastian Bach!<\/p>\n

And I like to play pop music from the eighties on the piano...<\/p>\n

The hardest thing I've ever played\/sung?<\/p>\n

\u201cLamentationes Sacrae et Profanae ad Responsoria Iesualdi\u201d by Klaus Huber<\/p>\n

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Jeg hedder Michael Dabelsteen, er f\u00f8dt i 1955. Jeg er kontrabassist i DR SymfoniOrkestret.   Jeg startede mit liv som professionel musiker i 1980. Efter at have spillet nogle \u00e5r som guitarist i et rock-band i gymnasietiden, blev jeg s\u00e5 fascineret af kontrabassen, at jeg skiftede instrument og begyndte at studere privat og siden p\u00e5…<\/p>","protected":false},"author":6,"featured_media":484,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"indlaegs_forfatter":[],"class_list":["post-483","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ikke-kategoriseret"],"_links":{"self":[{"href":"https:\/\/drvenneforeningen.dk\/en\/wp-json\/wp\/v2\/posts\/483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/drvenneforeningen.dk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/drvenneforeningen.dk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/drvenneforeningen.dk\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/drvenneforeningen.dk\/en\/wp-json\/wp\/v2\/comments?post=483"}],"version-history":[{"count":1,"href":"https:\/\/drvenneforeningen.dk\/en\/wp-json\/wp\/v2\/posts\/483\/revisions"}],"predecessor-version":[{"id":487,"href":"https:\/\/drvenneforeningen.dk\/en\/wp-json\/wp\/v2\/posts\/483\/revisions\/487"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/drvenneforeningen.dk\/en\/wp-json\/wp\/v2\/media\/484"}],"wp:attachment":[{"href":"https:\/\/drvenneforeningen.dk\/en\/wp-json\/wp\/v2\/media?parent=483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/drvenneforeningen.dk\/en\/wp-json\/wp\/v2\/categories?post=483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/drvenneforeningen.dk\/en\/wp-json\/wp\/v2\/tags?post=483"},{"taxonomy":"indlaegs_forfatter","embeddable":true,"href":"https:\/\/drvenneforeningen.dk\/en\/wp-json\/wp\/v2\/indlaegs_forfatter?post=483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}